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This One’s For Him: A Tribute to Guy Clark

Most “Tribute” anthologies don’t live up to the hype. But This One’s For Him: A Tribute to Guy Clark is what a tribute album should be; full of personal interpretations of an artist’s work by his contemporaries. Lyle Lovett, Kris Kristofferson, Vince Gill, Jerry Jeff Walker, Emmylou Harris, John Prine, Rosanne Cash, Rodney Crowell, and even Willie Nelson add their own special sauce to many of Clark’s best songs.



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This One’s For Him: A Tribute to Guy Clark

Anthology –  Icehouse Music


Available Dec 6, 2011


It’s nice when your friends do something for you to celebrate
your birthday. For Guy Clark’s 70th Tamara Saviano and Shawn Camp
pulled together a passel of Texas-based musicians and friends to record a
collection of Clark’s songs. The results show the range of Clark’s songwriting
and the musicians of Texas.

Guy Clark’s first big song was “LA Freeway.” Recorded
originally by Jerry Jeff Walker, it’s been covered by a phalanx of performers
over the years. Clark soon relocated to Nashville, where he continued to write
songs such as “Heartbroke” which was a big hit for Ricky Skaggs. He also
mentored young songwriters fresh in town including Rodney Crowell and Steve
Earle. During his long career, Clark has continued to tour and regularly
release fine albums. His latest, Somedays
the Song Writes You
, came out in 2009.

On this anthology nearly everyone who has been associated with
Clark during his long career takes a turn on one of his songs. Lyle Lovett,
Kris Kristofferson, Vince Gill, Jerry Jeff Walker, Emmylou Harris, John Prine,
Rosanne Cash, Rodney Crowell, and even Willie Nelson contribute their own
versions of Clark classics. Standouts include Willie Nelson’s “Desperados Waiting
for A Train,” which sounds as if it was written for him, and Vince Gill’s
rendition of  “Randall Knife.”

The core backup band features Lloyd Maines on pedal steel,
Verlon Thompson and Shawn Camp on acoustic guitars, and Kenny Malone, and Larry
Atamanuik on drums and percussion. All the songs were recorded “live in studio”
with all the players recording their tracks simultaneously, like at a live
concert. This makes for more spontaneous music-making since all the players can
hear each other’s parts and react to them as they play, which you can’t do when
each musician tracks their parts separately. Mixed and mastered by Austin-based
engineer, Fred Remmert, the sonics are first-class.

If you’re looking for clunkers, you’ll have to look elsewhere.
Every performance on This One’s For Him
is a showpiece for both the performers and the song. Although the concept
behind this album is that it’s a gift to Guy Clark, the true recipients are his
fans, along with anyone else who appreciates American traditional and roots
music.

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