It’s the time of year for saving money!
The year 1980 proved to be an important time in
the history of The Jerry Garcia Band (JGB), the offshoot side project of The
Grateful Dead’s visionary leader which grew (at one point) to be as big as the
mothership itself. February 1980, in particular, was a moment when all the
stars aligned in a most magificent manner for a tour of the north eastern
corner of the United States. For said tour, Jerry pulled together a version of
his band which quickly developed its own energy distinct from earlier — and
later — incarnations of the band.
Perhaps it was the soulful rock influence of
keyboardist Ozzie Ahlers, who came into the Garcia universe from (relatively)
outside the Grateful Dead fold, first playing with Van Morrison and also with
Jesse Colin Young (of The Youngbloods fame). Perhaps it was the youthful edge
of rookie Johnny d’Fonseca who
(apparently, according to the Interwebs) was raised by (Grateful Dead drummer)
Mickey Hart after his Dad was killed in a plane crash — so, the guy grew up
around the Dead vibe, yet already had his own band and was putting out records.
Johnny plays it really simple and tasteful, giving Jerry and the other players
smooth waters and tasty breezes to sail forth from when soloing.
These two players,
coupled with John Kahn on bass, locked in together to form a really wonderful
ensemble that could soar without losing the essence of great rock and roll.
This dynamic band jammed with a jazz-like swagger — oh, did they jam! — yet
had the heart, soul and solid backbone of the best rock bands.
The rare trifecta!
This gave Jerry Garcia a
most comfortable bed to lay his heart-felt guitar solos upon and together the
band members pushed one another in a way I’d not really heard before — or
after — in the JGB. I was fortunate to have seen this incarnation of the JGB
when they rolled through Syracuse, NY (2/19/80, I worked the show as an usher,
as I was on the University’s concert board at the time) and can attest to their
brilliance. There was something magic going on up there on stage. So much so,
like many DeadHeads and Jerry fans, I have been collecting recordings of every
night of the tour that I’ve been able to find
A side notefor those not
in the know: The Grateful Dead and various offshoots like this permitted (and
even encouraged) recording of their live shows, as well as the trading of tapes
among fans who followed the playing of the group’s night-by-night performance
variations. This is similar to the way that hard core jazz afficianados held on
to — and frequently documented — every breath blown by legends like
saxophonist Charlie Parker in the 1940s and ’50s.
Several years back, the
Jerry Garcia estate issued a show from this 1980 tour (2/28/80, from Keane College
in Union, NJ., an excellent release) which really only served to whet our
appetites for more! Thus, this latest release of the last night of the tour is
particularly welcome. Some of this show was broadcast on WNEW-FM in NYC, live
from The Capitol Theater in Passaic, NJ.
For years this show has
been legendary, as tapes of varying quality circulated in the trading
community. The good news is that this new HDCD-encoded CD release will allow
collectors to toss their old cassettes, CDRs and FLACs and move on to the best
possible sounding issue of the show to
date, mixed off the 24-track multi-track master reels for this release. It
sounds way better than even the best
circulating copies I’ve heard — this is now a proper, legitimate live album
It is a beautiful package
complete with liner notes from Ozzie Ahlers himself and Grateful Dead Hour host
David Gans. But it is all about the music and there are some wonderful songs in
this set including a soul searching 16-minute version of “Simple Twist of
Fate,” in which Jerry illustrates all the pain and sorrow of Dylan’s lyric
with some of his most emotional soloing (arguably on this tour, of his career).
One of my favorite moments comes at the start of the second set when the band
breaks out an aching “Mission in the Rain” (a song that has grown in
poignancy for this writer who has done his fair share of wandering the
Mission). A reggae-fied version of The Beatles’ “Dear Prudence at the end
of the set seals the deal that this show was a classic.
It’s sooooo sweet!
Other cool things: it
turns out the album has been released as a high definition download! It says
“24-bit” on the site where you can order the download… and I’ve
found a site affirming that it seems to be high resolution 88.2 kHz / 24-bit,
so this seems like the thing to get if you want the best sound. At some point I
will get the download, but right now the CD is keeping me quite happy.
My only real
wishes at this time are for a remix of the show into 5.1 surround and
(while they are at it, please issue) the whole month’s tour as a box set.
That’s not to much to ask for, right? 😉
You can order the the three CD set for $25 from
the official Jerry Garcia website or grab the high res download for just $20.
Can anyone familiar with both nights compare the playing and/or (secondarily) the recording quality of this night and cd release with the previous Keane College cd release (many of us already have the latter)- thanks!
Please release Asbury Park 1980, that mission in the rain rocks!!! and my tape is not sounding so good.
I just did a quick comparison and the shows have a different feel mix wise…. 3/1/80 seems a bit better mixed and has more of an “album” feel… whereas Kean College, 2/28/80 has more of the soundboard flavor to the mix. Also, the Capitol Theater was a much larger venue (I think it held 5,000) vs. the Wilkens Theater at Kean which holds 1,000. I saw the Kinks at Kean in 1979 and can attest to its size — its a lecture hall, really. So its a matter of what type of sound you like. http://www.moyssi.com/800229.htm http://www.kean.edu/conferences/theatres_performing.asp
we found a syracuse 1980 poster the other day , how many of these suckers were printed ???
Capitol Passaic held 3200 people.