Written by 4:58 am Audiophile Music

The Monkees Celebrate Groovy Good Times

Mark Smotroff finds his inner child alive and well in the 21st Century.


After two noble but ultimately unsatisfying releases in the 80s, I didn’t have high expectations for a new Monkees album in 2016, especially with one of the group’s lead vocalists, Davy Jones, now deceased.  

AR-MonkeesGoodTimesCover225.jpgBut then I started hearing industry rumblings of new songs being written for The Monkees by the likes of XTC’s Andy Partridge… so my ears perked up a whole bunch… 

Some of you might know, I’m a massive XTC fan. 

By the time we got the pre-release teasers of songs written by the likes of Weezer’s Rivers Cuomo I knew this new Monkees album was probably going to be at least a very good listening experience. 

That Good Times has turned out to be a genuinely fun — and at times even great and uplifting — Summer-sunshine album is an unexpected joy.

How does Good Times sound? Real nice! The music on the CD is full bodied and modern yet still it plays like a Monkees recording. The producers are not trying to make this sound “current,” yet it doesn’t sound out of date. There is no auto tune. There are no samples (as far as I know) being used. You can turn it up pretty loud and your ears won’t hurt (mine didn’t!)

Mostly Good Times contains fine new pop and rock recordings, replete with jangly electric and strummy acoustic guitars, warm natural sounding drums, round Fender-sounding bass, and an occasional Farfisa sound or and even a Mellotron. As far as I can tell there are for the most part no “modern” instruments used on it, just modern recording techniques  — I am guessing this was done digitally, enabling guest appearances recorded at several studios across the country. 

Interestingly, there is a remarkable consistency between tracks and that is no small accomplishment given that there are some archival tracks from the 1960s which were finished up for this. 

AR-MonkeesComicBook3.jpgConsider the made-in-the-studio title track duet between Micky Dolenz and singer/songwriter Harry Nilsson — they used Harry’s guide vocal on his original demo take for an unfinished song he wrote for the band. According to Rhino Records website it was recorded initially at a session with Mike Nesmith in January 1968, but the production was left unfinished. The new final version sounds very natural and Mickey’s voice sounds pretty remarkable given he’s singing it in his golden years with a 20-something Nilsson preserved in a magnetic tape time capsule.  

Likewise, Peter Tork fits right in on Carol King & Gerry Goffin’s “Wasn’t Born To Follow,” basic tracks also recorded in 1968 but with new vocals in 2016. 

Anyhow, I could blather on about these nuances but I’d rather just babble on a bit on the songs that I like the most so far… 

Andy Partridge’s song “You Bring The Summer” was my initial fave — obviously as the XTC fanboy that I am — because it connects some dots in a dream project that he never quite got off the ground: a bubblegum album! When I was a little kid exploring music beyond The Beatles, Bubblegum pop music was my initial jam and I still a soft spot in my heart for it. 

Don’t dismiss it either folks as its stuff that influenced the sound of bands like Talking Heads, The Cars and so many others (including XTC). So this new Monkees version sounds like if The Monkees were recording for Buddha Records — the label behind the core of Bubblegum back in the day — in 1968 or so, with a nod to The Beach Boys along the way. 

“You Bring The Summer” is a super catchy song, super sugary sweet and super fun. Its one of those songs that makes you smile.

You in the back row, put your punk rock sneer on the shelf for a bit and just let yourself a moment to enjoy some sunshine-y fun. This is it. I would bet that Joey Ramone would have loved this song.

I also really like the Rivers Cuomo song “She Makes Me Laugh” with its Monkees-meet-the-Beatles flavored chorus a whole bunch. The others are growing on me, no doubt.

AR-MonkeesStickers225.jpgOne of the surprise stand outs is Mike Nesmiths’ “I Know What I Know,” a love song that has a lovely, somewhat epic Brian Wilson flavored build up (like some lost SMiLE track).  Peter Tork’s “Little Girl’ is really interesting with its curious time changes and chords; it reminds me of a very different band curiously enough, loosely echoing Phil Lesh’s compositional flavor on The Grateful Dead’s Mars Hotel album (really!).  Noel Gallagher and Paul Weller’s “Birth of an Accidental Hipster” brings the boys into late 60s territory again with a track that might have fit on the Head soundtrack (a much more driving trip ala “Porpoise Song,” if you will).

Speaking of Carol King / Gerry Goffin songs (they wrote the aforementioned “Porpoise Song,” in case you didn’t know that) Peter’s vocal on their “Wasn’t Born To Follow” is fantastic. Its really incredible how a track recorded with legendary Wrecking Crew members such as Earl Palmer (drums), Al Casey and Mike Deasy (guitar) and Max Bennett (bass) can sound fit in so right alongside all these other songs recorded in another century. 

]]>There are many other gems to explore here but the important thing to know is that when you put on Good Times, it is an end-to-end fun listen. 

AR-MonkeesComicBook2225.jpgVinyl pressings are coming out later in the Summer and there is a special edition from Barnes and Noble which comes with a bonus seven-inch 45 RPM single featuring two bonus tracks not on the LP (including another song by XTC’s Andy Partridge!)

Of course, in the grand tradition of driving fans and collectors crazy, there are multiple editions of Good Times, each with exclusive bonus tracks. 

FYE stores have an exclusive CD with one extra song (“A Better World”) and then there is a Japan only version with the additional Andy Partridge track (“Love’s What I Want”).  At the time of this writing, the latter is the only track I’ve not yet heard as Amazon Japan wouldn’t let me purchase it (a bummer, I know).

iTunes boasts two additional bonus tracks on their deluxe edition with two additional songs “Terrifying” and a second version of “Magdalena and Me” (which is more of a modern rock flavored approach that is really cool, but it ultimately doesn’t feel particularly Monkees-like — so that was a wise production decision to leave it off the regular album). 

Ok, at this point I’m sure more than a few of you are rolling your eyes thinking “Dude, this is just a Monkees album, not freakin’ Radiohead!”

I know its not Radiohead. Heck, I bought my initial copy of Good Times at Amoeba Records and got a free T-shirt and a coloring book with it! 

The album comes with Color-Forms like stickers!  

So, yeah, I’m geeking out on this, big time. But no more than a few million other fans who have been surprised and cheered by this little gem of an album.

AR-MonkeesFYEHypeSticker225.jpgCause… you know folks… we haven’t had something fun like this for quite some time…. what with only half the Beatles still alive… and XTC not touring or putting out new music …. or Davy Jones passing away…  and Bowie… and Prince…. and … Elvis Costello still roaming around in Americana and whatnot …. well… its just kinda nice to be able to be all kid-like giddy again about fun new poppy Monkee music to spin. 

So yeah, I’m tapping into my inner eight year old, who is clearly alive and well and living in the 21st Century. 

Maybe Good Times will help you find your lost inner child too!

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